Stream An American in Paris Online
11 ديسمبر 2009![]() |
Stream An American in Paris Online.
Movie Title: An American in Paris An American in Paris is available for streaming or downloading. |
Warner Brothers’ proprietary Ultra-Resolution process has brought unusual life to such classics as “The Wizard of Oz,” “Gone With the Wind,” Errol Flynn’s “Robin Hood,” and “Singin’ in the Rain.” By going benefit to the fresh three-strip technicolor negatives and realigning them digitally, the color and detail blows away anything that customers have seen in the past with home video. “An American In Paris” has now undergone the same process. For those that have a blu-ray player, be certain to order this version, An American in Paris [Blu-ray]. Here is a list of extras that are the same on both versions:
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Disc 1:
1.33:1 Fleshy Veil with Unique Mono audio * Tech Specs for Blu-ray version: Video is 1080P 1.33:1 * Audio is English, French, Spanish (Both Castilian and Latin), German and Italian DD1.0 * Subtitles (Main Feature) : English, French, Spanish, Danish, Dutch, Finnish, German, Italian, Japanese, Norwegian, Portuguese, Swedish * Subtitles (on Recall Bonus Material) : English, French, Spanish, Dutch, Italian, Japanese, Portuguese
1938 MGM short: Paris on Parade
1951 MGM cartoon: Symphony in Slang
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Theatrical trailer
Disc 2:
2002 American Masters Documentary: Gene Kelly: Anatomy of a Dancer (Gene Kelly - Anatomy of a Dancer)
`S Wonderful: The Making of An American in Paris, an all original documentary, produced especially for this release. A dynamic history of the making of the film, which reveals how George and Ira Gershwin’s classic songs, the pleasing art of the French impressionists and the ultimate teamwork of MGM’s legendary “Freed Unit” came together to make a musical masterpiece. Featuring ten novel interviews, including co-stars Leslie Caron, Nina Foch, and Kelly’s widow. A very enlightening piece; Caron’s memories are probably the most arresting, with Foch running a conclude 2nd. Caron’s comments about co-star Georges Guétary being lovely but not too shiny seem to be echoed by Kelly’s widow, who says Gene spent more time trying to converse him how to gracefully inch down a plot of steps than on anything else in the film. It is gloomy that Maurice Chevalier could not have taken that role as originally intended. You also realize unbiased how revolutionary this movie was (artistically), especially because of the 17-minute ballet tacked on at the raze of the movie. Even Irving Berlin disapproved during an on-set visit, which didn’t wait on the confidence of Vincente Minnelli at all.
Outtakes:
Georges Guetary performing Treasure Walked In (not missed in the movie at all!)
Audio Outtakes: Alternate Main Title, But Not for Me (Guetary), But Not for Me (Levant Piano Solo), Gershwin Prelude #3, I’ve Got a Crush on You, Nice Work if You Can Glean It, ‘S Wonderful
Radio Interviews: Johnny Green, Gene Kelly, Gene Kelly & Leslie Caron;
Gene Kelly and Leslie Caron promotional radio interview with Dick Simmons
Not all of the novel musical recording stems have survived over the years, preventing a legal stereo/5.1 restoration of the soundtrack; instead, a restored mono version is being made available.
Most are familiar with the movie; storywise, it is a small creaky and hasn’t necessarily survived well over the years: Kelly is an American artist living in Paris. He falls in fancy with a young girl (Leslie Caron) who is in a loveless relationship with one of his best friends (Guétary) . Kelly is also in somewhat of a loveless relationship with his financial sponsor (Nina Foch) . You can probably guess the rest.
The fine color, amazing music by Gershwin (arrangements by the talented Conrad Salinger), and the extraordinary choreography of Gene Kelly will sustain this one a classic for years to reach despite a predictable situation. Fair the ending ballet alone is a masterpiece; the art of Toulouse Lautrec and Utrillo comes to life with Gene Kelly & Leslie Caron dancing their hearts out to some of the most imaginative choreography (Kelly’s) in years. The Freed Unit at MGM was at their peak when this movie was made, and this is one of the last expansive ones that it created.
It is a actual shame that with how astounding the relate is (the colors literally leap off the cover, and it really adds to the appreciation of what an artistically sparkling visual feast this movie is) that the sound cannot match. Although it is obvious and free of problems, the Gershwin music unprejudiced begs for a 5.1 or 7.1 surround track; unfortunately, due to the age and availability of the new elements, this is not possible.
A magnificent movie that showcases Gene Kelly’s breathtaking talent. Forget the comic chronicle and impartial ogle him dance and dance and dance. He does more with a turn of a shoulder than most dancers can do with their whole body. This movie also introduced the lithe and gorgeous Leslie Caron as the object of Kelly’s affection. The film builds to its dramatic hallucinatory conclusion as Kelly dances his map across a Paris dreamscape, that brings all the elements of recent dance together in a tour-de-force that was unprecedented in musicals of that time. You can’t support getting swept away in the feel-good spirit of this movie. It was another time and site.
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