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br Though the original Italian title translates to “Six Women for an Assassin,” the American title, IBlood and Black Lace/I, is far more evocative of the psychosexual nature of this elegant slasher picture. The thin plot concerns a respected Italian fashion house, a murdered model, cocaine, and a tell-all diary that seems to implicate just about everyone connected with the house of style. The disappearance of the diary initiates a wholesale slaughter of the remaining models. Mario Bava’s stylish exercise in mayhem lovingly delivers every elaborate killing with dreamy assurance. As the stalker, a faceless figure wrapped up in a trench coat, makes a move for his next gorgeous victim, Bava’s prowling camera snakes through sets, rushes down hallways, and generally takes off like a low-budget Hitchcock flick on speed. By contrast, Bava runs through the police investigations with a perfunctory air–the lifeless scenes, which aren’t helped by the flat English dubbing, feel like he’s marking time between the murders–and when the identity of the black-clad killer is revealed it almost seems beside the point. As the narrative melts into a near abstract display of choreography and color (with an often troubling misogynist edge), exposition and psychological explanations seem oddly out of place in this elaborate dance of death. As a traditional thriller it lacks any genuine thrill, but as a piece of cinematic spectacle it has moments of dreamy, disconnected beauty. I–Sean Axmaker/I
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brBlood and Black Lace was enjoyable! You have to gamble this movie! A strange performance by Cameron Mitchell Eva Bartok make Blood and Black Lace a “should go to” movie!
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brThe wonderful cast includes Cameron Mitchell, Eva Bartok, Thomas Reiner, Ariana Gorini, Dante DiPaolo. This cast just make Blood and Black Lace the more extraordinary!
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